Mohammad Salemy — Sins and Capitals

Mohammad Salemy
Bio

Mohammad Salemy é um artista, crítico e curador independente do Canadá, sediado em Berlim. É licenciado em Belas Artes pela Emily Carr University e mestre em Estudos Curatoriais Críticos pela University of British Columbia. Expôs os seus trabalhos em Home Works 7, de Ashkal Alwan (Beirute, 2015), Witte de With (Roterdão, 2015) e Robot Love (Eindhoven, 2018). Os seus escritos foram publicados na e-flux, Flash Art, Third Rail, Brooklyn Rail, Ocula, Arts of the Working Class e Spike. A experiência curatorial de Salemy, For Machine Use Only, foi incluída na 11ª edição da Bienal de Gwangju (2016). Juntamente com um elenco variável, forma o colectivo de artistas Alphabet Collection. Salemy é cofundador e coordenador do The New Centre for Research & Practice desde 2014 e editor-chefe do seu braço editorial, Triple Ampersand. É também editor de "For Machine Use Only: Contemplations on Algorithmic Epistemology" (&&&, 2016) e "Model is the Message: Incredible Machines Conference 2022" (&&&, 2023).

Mohammad Salemy is an independent Berlin-based artist, critic and curator from Canada. He holds a BFA from Emily Carr University and an MA in Critical Curatorial Studies from the University of British Columbia. He has shown his works in Ashkal Alwan's Home Works 7 (Beirut, 2015), Witte de With (Rotterdam, 2015) and Robot Love (Eindhoven, 2018). His writings have been published in e-flux, Flash Art, Third Rail, Brooklyn Rail, Ocula, Arts of the Working Class and Spike. Salemy's curatorial experiment For Machine Use Only was included in the 11th edition of Gwangju Biennale (2016). Together with a changing cast, he forms the artist collective Alphabet Collection. Salemy has been the cofounding Organizer of The New Centre for Research & Practice since 2014 and the editor-in-chief of its publishing arm, Triple Ampersand. He is also the editor of "For Machine Use Only: Contemplations on Algorithmic Epistemology" (&&&, 2016) and "Model is the Message: Incredible Machines Conference 2022" (&&&, 2023).

SINS AND CAPITALS SINS AND CAPITALS

PECADOS E CAPITAIS PECADOS E CAPITAIS

or a certain mist for empty spaces ( ) ou uma certa névoa para espaços vazios ( ) or a certain mist for empty spaces ( ) ou uma certa névoa para espaços vazios ( ) or a certain mist for empty spaces ( ) ou uma certa névoa para espaços vazios ( )